It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
Born and educated in Edinburgh, Stevenson suffered from serious bronchial trouble for much of his life but continued to write prolifically and travel widely in defiance of his poor health. As a young man, he mixed in London literary circles, receiving encouragement from Sidney Colvin, Andrew Lang, Edmund Gosse, Leslie Stephen and W. E. Henley, the last of whom may have provided the model for Long John Silver in Treasure Island. In 1890, he settled in Samoa where, alarmed at increasing European and American influence in the South Sea islands, his writing turned from romance and adventure fiction toward a darker realism. He died of a stroke in his island home in 1894 at age 44. (Full article...)
Production began in the mid-1970s as a faithful adaptation of the novella, following 1951's The Thing from Another World. The Thing went through several directors and writers, each with different ideas on how to approach the story. Filming lasted roughly twelve weeks, beginning in August 1981, and took place on refrigerated sets in Los Angeles as well as in Juneau, Alaska, and Stewart, British Columbia. Of the film's $15million budget, $1.5million was spent on Rob Bottin's creature effects, a mixture of chemicals, food products, rubber, and mechanical parts turned by his large team into an alien capable of taking on any form. (Full article...)
It is easy to imagine fantasy as physical and myth as real. We do it almost every moment. We do this as we dream, as we think, and as we cope with the world about us. But these worlds of fantasy that we form into the solid things around us are the source of our discontent. They inspire our search to find ourselves.
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—Evan Harris Walker (1935-2006), The Physics of Consciousness: The Quantum Mind and the Meaning of Life (2000).
A painting depicting Ivan Tsarevich, one of the main heroes of Russian folklore, riding a magic carpet after having captured the Firebird, which he keeps in a cage. This work was Viktor Vasnetsov's first attempt at illustrating Russian folk tales and inaugurated a famous series of paintings on the themes drawn from Russian folklore. (POTD)
The World Fantasy Awards are given each year by the World Fantasy Convention for the best fantasy fiction published in English during the previous calendar year. The awards have been described by book critics such as The Guardian as a "prestigious fantasy prize", and one of the three most prestigious speculative fiction awards, along with the Hugo and Nebula Awards (which cover both fantasy and science fiction). The World Fantasy Award—Anthology is given each year for anthologies of fantasy stories by multiple authors published in English. An anthology can have any number of editors, and works in the anthology may have been previously published; awards are also given out for collections of works by a single author in the Collection category. The Anthology category has been awarded annually since 1988, though from 1977 through 1987 anthologies were admissible as nominees in the Collection category. During the ten years they were admissible for that category they won the award seven times and represented 38 of the 56 nominations.
World Fantasy Award nominees and winners are decided by attendees and judges at the annual World Fantasy Convention. A ballot is posted in June for attendees of the current and previous two conferences to determine two of the finalists, and a panel of five judges adds three or more nominees before voting on the overall winner. The panel of judges is typically made up of fantasy authors and is chosen each year by the World Fantasy Awards Administration, which has the power to break ties. The final results are presented at the World Fantasy Convention at the end of October. Winners were presented with a statue in the form of a bust of H. P. Lovecraft through the 2015 awards; more recent winners receive a statuette of a tree. (Full article...)
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