Our website is made possible by displaying online advertisements to our visitors.
Please consider supporting us by disabling your ad blocker.

Responsive image


Augmented sixth chord



    {
      #(set-global-staff-size 16)
      \new PianoStaff <<
        \new Staff <<
            \relative c'' {
                \set Score.currentBarNumber = #95
                \bar ""
                \clef treble \key es \major \time 3/4
                \override DynamicLineSpanner.staff-padding = #3
                <es g es'>2.\f
                <c f aes c>4^\markup { \raise #4 \bold "rit." } <aes c f aes> <a es' fis a>
                <bes es g bes>2(^\markup { \raise #4 \bold "a tempo" } <c es g c>4)
                <aes d aes'>4 <f aes f'>4. <bes bes'>8
                <es, g es'>2.~\mf
                <es g es'>4
                }
            >>
        \new Staff <<
            \override Staff.SustainPedalLineSpanner.staff-padding = #6.3
            \relative c, {
                \clef bass \key es \major \time 3/4
                <c c'>4\sustainOn_\markup { \lower #9.2 \concat { \translate #'(-4.8 . 0) { "E" \flat ":  vi" \hspace #9 "ii" \raise #1 \small "6" \hspace #4.5 "Ger" \raise #1 \small "+6" \hspace #0.5 "I" \raise #1 \small "6/4" \hspace #6.5 "V" \raise #1 \small "7" \hspace #9 "I" } } }
                    <g'' c es> <g c es>
                <aes,, aes'>\sustainOff\sustainOn <c c'> <ces ces'>\sustainOff
                <bes bes'>\sustainOn <g'' bes es> <g bes es>
                <bes,, bes'>\sustainOff\sustainOn <aes'' bes d> <aes bes d>
                <es, es'>\sustainOff bes' g
                es
                }
            >>
    >> }
A German sixth chord on the last beat of m. 96 in Scott Joplin's "Binks' Waltz" (1905).[1]

In music theory, an augmented sixth chord contains the interval of an augmented sixth, usually above its bass tone. This chord has its origins in the Renaissance,[2] was further developed in the Baroque, and became a distinctive part of the musical style of the Classical and Romantic periods.[3]

Conventionally used with a predominant function (resolving to the dominant), the three most common types of augmented sixth chords are usually called the Italian sixth, the French sixth, and the German sixth.

  1. ^ Benward, Bruce and Saker, Marilyn (2009). Music in Theory and Practice, Vol. II, p.105. Eighth edition. McGraw Hill. ISBN 9780073101880.
  2. ^ Andrews 1950, pp. 45–46.
  3. ^ Andrews 1950, pp. 46–52.

Previous Page Next Page






Übermäßiger Quintsextakkord German Aŭgmentita kvintsesta akordo EO Sixte augmentée French Accordo di sesta eccedente Italian 増六の和音 Japanese 증6화음 Korean 增六和弦 Chinese

Responsive image

Responsive image